Jul. 23rd, 2011

elrhiarhodan: (Hot Wet Succulent)
Title: Down in the Willow Garden
Author:  [livejournal.com profile] elrhiarhodan
Rating: NC-17 
Characters/Pairing: Peter/Neal/Elizabeth, Peter Burke, Neal Caffrey, Elizabeth Burke, Satchmo
Fandom:  White Collar
Spoilers: None 
Warnings/Enticements/Triggers: Caning, Crack, Mild Horror
Word Count: ~1000
Summary: Set after Point Blank, Neal and the Burkes have a little problem with what Satchmo found in their back yard. They deal with it.

A/N: Story inspired by a tweet from Jeff Eastin (see end of story for screen cap). Also prompted by [livejournal.com profile] monkeyonthelam’s prompt “Patio” for Promptfest VI (which is still going strong). And a very gratuitous fill for my Kink Bingo square, Caning.

The title is from a traditional Appalachian bluegrass murder song and should not be confused the W.B. Yeats poem, Down by the Salley Gardens.

______________________


“Hey hon - can you come downstairs?” El went to the third floor where her husband was playing with Neal.  )
elrhiarhodan: (Hot Wet Succulent)
Title: Down in the Willow Garden
Author:  [livejournal.com profile] elrhiarhodan
Rating: NC-17 
Characters/Pairing: Peter/Neal/Elizabeth, Peter Burke, Neal Caffrey, Elizabeth Burke, Satchmo
Fandom:  White Collar
Spoilers: None 
Warnings/Enticements/Triggers: Caning, Crack, Mild Horror
Word Count: ~1000
Summary: Set after Point Blank, Neal and the Burkes have a little problem with what Satchmo found in their back yard. They deal with it.

A/N: Story inspired by a tweet from Jeff Eastin (see end of story for screen cap). Also prompted by [livejournal.com profile] monkeyonthelam’s prompt “Patio” for Promptfest VI (which is still going strong). And a very gratuitous fill for my Kink Bingo square, Caning.

The title is from a traditional Appalachian bluegrass murder song and should not be confused the W.B. Yeats poem, Down by the Salley Gardens.

______________________


“Hey hon - can you come downstairs?” El went to the third floor where her husband was playing with Neal.  )
elrhiarhodan: (Default)

Knismesis and gargalesis are the scientific terms, coined in 1897 by psychologists G. Stanley Hall and Arthur Allin, used to describe the two types of tickling.

Knismesis

Knismesis refers to the light, feather-like type of tickling. This type of tickling generally does not induce laughter and is often accompanied by an itching sensation. The knismesis phenomenon requires low levels of stimulation to sensitive parts of the body, and can be triggered by a light touch or by a light electrical current. Knismesis can also be triggered by crawling insects or parasites, prompting scratching or rubbing at the ticklish spot, thereby removing the pest. It is possible that this function explains why knismesis produces a similar response in many different kinds of animals. In a famous example, described in Peter Benchley's Shark!, it is possible to tickle the area just under the snout of a great white shark, putting it into a near-hypnotic trance.

Gargalesis

Gargalesis refers to harder, laughter-inducing tickling, and involves the repeated application of high pressure to sensitive areas. This "heavy tickle" is often associated with play and laughter. The gargalesis type of tickle works on humans and primates, and possibly on other species. Because the nerves involved in transmitting "light" touch and itch differ from those nerves that transmit "heavy" touch, pressure and vibration, it is possible that the difference in sensations produced by the two types of tickle are due to the relative proportion of itch sensation versus touch sensation.
While it is possible to trigger a knismesis response in oneself, it is usually impossible to produce gargalesthesia, the gargalesis tickle response, in oneself.

Hypergargalesthesia is the condition of extreme sensitivity to tickling.


Source - Wikipedia, via Best of Wikipedia, via Sleevia
elrhiarhodan: (Default)

Knismesis and gargalesis are the scientific terms, coined in 1897 by psychologists G. Stanley Hall and Arthur Allin, used to describe the two types of tickling.

Knismesis

Knismesis refers to the light, feather-like type of tickling. This type of tickling generally does not induce laughter and is often accompanied by an itching sensation. The knismesis phenomenon requires low levels of stimulation to sensitive parts of the body, and can be triggered by a light touch or by a light electrical current. Knismesis can also be triggered by crawling insects or parasites, prompting scratching or rubbing at the ticklish spot, thereby removing the pest. It is possible that this function explains why knismesis produces a similar response in many different kinds of animals. In a famous example, described in Peter Benchley's Shark!, it is possible to tickle the area just under the snout of a great white shark, putting it into a near-hypnotic trance.

Gargalesis

Gargalesis refers to harder, laughter-inducing tickling, and involves the repeated application of high pressure to sensitive areas. This "heavy tickle" is often associated with play and laughter. The gargalesis type of tickle works on humans and primates, and possibly on other species. Because the nerves involved in transmitting "light" touch and itch differ from those nerves that transmit "heavy" touch, pressure and vibration, it is possible that the difference in sensations produced by the two types of tickle are due to the relative proportion of itch sensation versus touch sensation.
While it is possible to trigger a knismesis response in oneself, it is usually impossible to produce gargalesthesia, the gargalesis tickle response, in oneself.

Hypergargalesthesia is the condition of extreme sensitivity to tickling.


Source - Wikipedia, via Best of Wikipedia, via Sleevia
elrhiarhodan: (Default)
Catching up with this meme, again.

21 – Sequels – Have you ever written a sequel to a fic you wrote, and if so, why, and if not, how do you feel about sequels?

I have written a few sequels, as opposed to many series. But I do have to say, to my shame, I have difficulty writing true sequels. I have all but given up on the sequel to my White Collar/Criminal Minds crossover. Mostly because I know my characterization of Spenser Reid were all fucked up, and to go back an write the sequel will involve fucking it up even more. That’s what happens when you really rely on fanfic, rather than canon to drive your characterizations. That being said, if someone were to perhaps buy a sequel to it the next time I participated in a charity auction, then I’d have to write it, right?

I have about four or five true sequels sitting in my WIPs folder - and I do plan on getting to them. Eventually. The one I most want to write is the sequel to Rubbing Elbows With the Moon (please teach me). It’s partially written - I just have to get reinspired.

22 – Have you ever participated in a fest or a Big Bang? If so, write about your favorite experience in relation to one. If not, are there any you've thought about doing? And if not, why not?

Big Bangs - no, those I haven’t done. Not because of the word counts - I just don’t seem to be inspired by challenges like that - based on wordcount, rather than a prompt. Maybe it’s because I can write 10k without thinking these days.

That being said - I run fests on my LJ all the time. Right now, Promptfest VI - Summertime Madness is still running on my LJ. Yes - the sixth edition of a comment fic fest. There was also Sentence Fest last March/April, which was suggested by the superawesome [livejournal.com profile] coffeethyme4me and supported must strongly by Coffeethyme and my enabler in chief, [livejournal.com profile] rabidchild67.

I’ve organized, with the help of [livejournal.com profile] rabidchild67 the very successful (due mostly to RC herself) [livejournal.com profile] wcpairings fic swap, too.

I do have to say I love my promptfests. I love the outpouring of creativity and generosity from my flist and the WC fandom. I love that people take chances during Prompfest and write things that they might otherwise not. I love how much creativity these challenges inspire in me. I am always sorry when they end.

23 – When you post, where do you post to? Just your journal? Just an archive? Your own personal site?

For LJ, I post the actual story to my journal. If I’m posting during the workday, it actually goes up on Dreamwidth and gets crossposted to my LJ because my company firewall locks me out of LJ, but oddly enough, not DW.

Then, I’ll post a link on the relevant comms - first usually to [livejournal.com profile] whitecollarfic, then [livejournal.com profile] caffrey_burke and [livejournal.com profile] 3_way_collar, and maybe a few others - the [livejournal.com profile] whitecollarhc and [livejournal.com profile] onherdancecard, if relevant.

If it’s a fic for the [livejournal.com profile] whitecollar100 community, of course I’ll post there too.

DW is the backup archive - I capture my entries there via Import Content about once a week.

I tend to repost my longer stories to AO3, and don’t post at all on ff.net. I have a blogger blog, Erlfic, but I’ve not reposted there in ages. I should - if just to make sure that there’s another back up.

24 – Betaing – How many betas do you like to use to make sure there aren't any major flaws in your fic? Do you have a Beta horror story or dream story?

Betaing is very important, and I know I should have everything I write beta’d, but I tend to let the short stories slide by - often with some regrets. I have a terrific trio of beta readers, [livejournal.com profile] rabidchild67, [livejournal.com profile] coffeethyme4me and [livejournal.com profile] jrosemary. They have pulled me through some really terrible times and have made some stinkers into publishable stories. I adore them - they are my flying buttresses.

I don’t really have a horror story about a beta reader - but I have had people spontaneously offer to correct published stories. That’s nice - but when I go and look at their own works and see all of the spelling and grammatical errors, I just politely decline.

25 – Music – Do you listen to music while you write? Do you make playlists to get into a certain "mood" to write your fic? Do you need noise in general? Or do you need it completely quiet?

Music is often very important when I write. I spend a lot of time in Starbucks and I don’t particularly care for most of the music piped in, so I’ll plug in earbuds and turn on the iPod. While I’ve got a lot of music to chose from, there is music that I find particularly helpful to write to. When I want to write angst - anything by Philip Glass works (maybe it’s the repeating patterns), but especially the soundtrack for "The Hours."

As cliched as it sounds, I have about six different versions of "Boleró" in a playlist that I keep on repeat when I’m writing porn or sexiteims.

I’ll listen to Holts’s “The Planets” or anything by Alan Hovahness for action and casefic.

When I’m contemplative, there are a few piano albums I love - Ehren Starks “Lines Build Walls” and Mícheál Ó'Súilleabháin’s “The Dolphin’s Way.”

And when I need plot inspiration - I invariably go to Mumford or Annie Lennox or Janis Ian or Oysterband.

26 – What is the oddest (or funnest) thing you've had to research for a fic?

Oh, that’s a hard one. I recently did some work on frost heave for Down in the Willow Garden, because I needed to know if a dead body could be churned by the earth. An early fic, Never Underestimate The Suit had me doing research on Titus Androcinus. By the time I got done with A Song Amongst The Song of Songs, I knew more about the Gutenberg Bible than I ever suspected.

Sometime research can kill a fic - I spend so much time trying to get the details right that I lose all sense of excitement for the plot.
elrhiarhodan: (Default)
Catching up with this meme, again.

21 – Sequels – Have you ever written a sequel to a fic you wrote, and if so, why, and if not, how do you feel about sequels?

I have written a few sequels, as opposed to many series. But I do have to say, to my shame, I have difficulty writing true sequels. I have all but given up on the sequel to my White Collar/Criminal Minds crossover. Mostly because I know my characterization of Spenser Reid were all fucked up, and to go back an write the sequel will involve fucking it up even more. That’s what happens when you really rely on fanfic, rather than canon to drive your characterizations. That being said, if someone were to perhaps buy a sequel to it the next time I participated in a charity auction, then I’d have to write it, right?

I have about four or five true sequels sitting in my WIPs folder - and I do plan on getting to them. Eventually. The one I most want to write is the sequel to Rubbing Elbows With the Moon (please teach me). It’s partially written - I just have to get reinspired.

22 – Have you ever participated in a fest or a Big Bang? If so, write about your favorite experience in relation to one. If not, are there any you've thought about doing? And if not, why not?

Big Bangs - no, those I haven’t done. Not because of the word counts - I just don’t seem to be inspired by challenges like that - based on wordcount, rather than a prompt. Maybe it’s because I can write 10k without thinking these days.

That being said - I run fests on my LJ all the time. Right now, Promptfest VI - Summertime Madness is still running on my LJ. Yes - the sixth edition of a comment fic fest. There was also Sentence Fest last March/April, which was suggested by the superawesome [livejournal.com profile] coffeethyme4me and supported must strongly by Coffeethyme and my enabler in chief, [livejournal.com profile] rabidchild67.

I’ve organized, with the help of [livejournal.com profile] rabidchild67 the very successful (due mostly to RC herself) [livejournal.com profile] wcpairings fic swap, too.

I do have to say I love my promptfests. I love the outpouring of creativity and generosity from my flist and the WC fandom. I love that people take chances during Prompfest and write things that they might otherwise not. I love how much creativity these challenges inspire in me. I am always sorry when they end.

23 – When you post, where do you post to? Just your journal? Just an archive? Your own personal site?

For LJ, I post the actual story to my journal. If I’m posting during the workday, it actually goes up on Dreamwidth and gets crossposted to my LJ because my company firewall locks me out of LJ, but oddly enough, not DW.

Then, I’ll post a link on the relevant comms - first usually to [livejournal.com profile] whitecollarfic, then [livejournal.com profile] caffrey_burke and [livejournal.com profile] 3_way_collar, and maybe a few others - the [livejournal.com profile] whitecollarhc and [livejournal.com profile] onherdancecard, if relevant.

If it’s a fic for the [livejournal.com profile] whitecollar100 community, of course I’ll post there too.

DW is the backup archive - I capture my entries there via Import Content about once a week.

I tend to repost my longer stories to AO3, and don’t post at all on ff.net. I have a blogger blog, Erlfic, but I’ve not reposted there in ages. I should - if just to make sure that there’s another back up.

24 – Betaing – How many betas do you like to use to make sure there aren't any major flaws in your fic? Do you have a Beta horror story or dream story?

Betaing is very important, and I know I should have everything I write beta’d, but I tend to let the short stories slide by - often with some regrets. I have a terrific trio of beta readers, [livejournal.com profile] rabidchild67, [livejournal.com profile] coffeethyme4me and [livejournal.com profile] jrosemary. They have pulled me through some really terrible times and have made some stinkers into publishable stories. I adore them - they are my flying buttresses.

I don’t really have a horror story about a beta reader - but I have had people spontaneously offer to correct published stories. That’s nice - but when I go and look at their own works and see all of the spelling and grammatical errors, I just politely decline.

25 – Music – Do you listen to music while you write? Do you make playlists to get into a certain "mood" to write your fic? Do you need noise in general? Or do you need it completely quiet?

Music is often very important when I write. I spend a lot of time in Starbucks and I don’t particularly care for most of the music piped in, so I’ll plug in earbuds and turn on the iPod. While I’ve got a lot of music to chose from, there is music that I find particularly helpful to write to. When I want to write angst - anything by Philip Glass works (maybe it’s the repeating patterns), but especially the soundtrack for "The Hours."

As cliched as it sounds, I have about six different versions of "Boleró" in a playlist that I keep on repeat when I’m writing porn or sexiteims.

I’ll listen to Holts’s “The Planets” or anything by Alan Hovahness for action and casefic.

When I’m contemplative, there are a few piano albums I love - Ehren Starks “Lines Build Walls” and Mícheál Ó'Súilleabháin’s “The Dolphin’s Way.”

And when I need plot inspiration - I invariably go to Mumford or Annie Lennox or Janis Ian or Oysterband.

26 – What is the oddest (or funnest) thing you've had to research for a fic?

Oh, that’s a hard one. I recently did some work on frost heave for Down in the Willow Garden, because I needed to know if a dead body could be churned by the earth. An early fic, Never Underestimate The Suit had me doing research on Titus Androcinus. By the time I got done with A Song Amongst The Song of Songs, I knew more about the Gutenberg Bible than I ever suspected.

Sometime research can kill a fic - I spend so much time trying to get the details right that I lose all sense of excitement for the plot.

Profile

elrhiarhodan: (Default)
elrhiarhodan

July 2025

S M T W T F S
  12 345
6789101112
13141516171819
20212223242526
2728293031  

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 29th, 2025 08:36 am
Powered by Dreamwidth Studios